Everywhere at the End of Time, Mudac, Lausanne, 2022
Everywhere at the End of Time, 2022, mudac
The Cacophony of the Controversy, 2018
dayglo paint on mdf, electroluminescent tubes, power transformer, 20 x 20 x 7 cm (painting), variable dimensionUntitled monotypeRitual Venality, 2022, beech wood, metal, plastic wheels, electroluminescent tubes, power transformer 33 x 58 92 cm (box) and variable dimensions (studio view)Ambiguously Confused, 2022, beech wood, acrylic painting on canvas, electroluminescent panel, abalone veneer, power transformer (studio view)Exhibition view OMNIA VOLVIT, Galerie Andrea Caratsch, Zurich, 2014Two Wrongs Make a Right, Art Bärtschi & Cie, GenèveTwo Wrongs Make a Right, Art Bärtschi & Cie, GenèveExhibition view Two Wrongs Make a Right, Art Bärtschi & Cie, GenèveExhibition view Two Wrongs Make a Right, Art Bärtschi & Cie, GenèveSituated Knowledge (Witz), 2017, interferent acryl on canvas, 269,3 x 306,4 cm, exhibition view at Cathedrale St Pierre, GenevaExhibition view, New Square Paintings, 2017, Galerie Joy de Rouvre
Background, A nos amis, wallpainting, variable dimensions
(left) Chibcha, acryl on canvas, 180×180 cm, 2016
(right) Sinu, acryl on canvas, 180×180 cm, 2016-17Exhibition view, New Square Paintings, 2017, Galerie Joy de RouvreExhibition view, Crème double, Château de Gruyères, 2014Exhibition view, Crème double, Château de Gruyères, 2014Exhibition view, Crème double, Château de Gruyères, 2014Exhibition view AUDIO VIDEO OMNIA VOLVIT, Circuit, 2014Kunst For Velma, concert in the exhibition AUDIO, VIDEO, OMNIA VOLVIT
